It was all, none the less, not so bad as Fleda had feared; it was faded and melancholy, whereas there had been a danger that it would be contradictious and positive, cheerful and loud. The house was crowded with objects of which the aggregation somehow made a thinness and the futility a grace; things that told her they had been gathered as slowly and as lovingly as the golden flowers of Poynton. She too, for a home, could have lived with them: they made her fond of the old maiden-aunt; they made her even wonder if it didn't work more for happiness not to have tasted, as she herself had done, of knowledge. Without resources, without a stick, as she said, of her own, Fleda was moved, after all, to some secret surprise at the pretensions of a shipwrecked woman who could hold such an asylum cheap. The more she looked about the surer she felt of the character of the maiden-aunt, the sense of whose dim presence urged her to pacification: the maiden-aunt had been a dear; she would have adored the maiden-aunt. The poor lady had had some tender little story; she had been sensitive and ignorant and exquisite: that too was a sort of origin, a sort of atmosphere for relics and rarities, though different from the sorts most prized at Poynton. Mrs. Gereth had of course more than once said that one of the deepest mysteries of life was the way that, by certain natures, hideous objects could be loved; but it wasn't a question of love, now, for these: it was only a question of a certain practical patience. Perhaps some thought of that kind had stolen over Mrs. Gereth when, at the end of a brooding hour, she exclaimed, taking in the house with a strenuous sigh: "Well, something can be done with it!" Fleda had repeated to her more than once the indulgent fancy about the maiden-aunt—she was so sure she had deeply suffered. "I'm sure I hope she did!" was, however, all that Mrs. Gereth had replied. The first news she had from Mrs. Gereth was news of that lady's having accomplished, in form at least, her migration. The letter was dated from Ricks, to which place she had been transported by an impulse apparently as sudden as the inspiration she had obeyed before. "Yes, I've literally come," she wrote, "with a bandbox and a kitchen-maid; I've crossed the Rubicon, I've taken possession. It has been like plumping into cold water: I saw the only thing was to do it, not to stand shivering. I shall have warmed the place a little by simply being here for a week; when I come back the ice will have been broken. I didn't write to you to meet me on my way through town, because I know how busy you are and because, besides, I'm too savage and odious to be fit company even for you. You'd say I really go too far, and there's no doubt whatever I do. I'm here, at any rate, just to look round once more, to see that certain things are done before I enter in force. I shall probably be at Poynton all next week. There's more room than I quite measured the other day, and a rather good set of old Worcester. But what are space and time, what's even old Worcester, to your wretched and affectionate A. G.?"!

Fleda, downstairs, learned soon enough what this was. It was simply that, as he announced the moment he stood before her, he was now all right. When she asked him what he meant by that state he replied that he meant he could practically regard himself henceforth as a free man: he had had at West Kensington, as soon as they got into the street, such a horrid scene with Mrs. Brigstock. "Nor his mother, miss—not a soul of them back. A pack o' servants in charge—not the old lady's lot, eh? A nice job for care-takers! Some rotten chimley or one of them portable lamps set down in the wrong place. What has done it is this cruel, cruel night." Then as a great wave of smoke half choked them, he drew her with force to the little waiting room. "Awkward for you, miss—I see!"

It was true that when after their return from Ricks they tried to lighten the ship, the great embarrassment was still immutably there, the odiousness of sacrificing the exquisite things one wouldn't take to the exquisite things one would. This immediately made the things one wouldn't take the very things one ought to, and, as Mrs. Gereth said, condemned one, in the whole business, to an eternal vicious circle. In such a circle, for days, she had been tormentedly moving, prowling up and down, comparing incomparables. It was for that one had to cling to them and their faces of supplication. Fleda herself could judge of these faces, so conscious of their race and their danger, and she had little enough to say when her companion asked her if the whole place, perversely fair on October afternoons, looked like a place to give up. It looked, to begin with, through some effect of season and light, larger than ever, immense, and it was filled with the hush of sorrow, which in turn was all charged with memories. Everything was in the air—every history of every find, every circumstance of every struggle. Mrs. Gereth had drawn back every curtain and removed every cover; she prolonged the vistas, opened wide the whole house, gave it an appearance of awaiting a royal visit. The shimmer of wrought substances spent itself in the brightness; the old golds and brasses, old ivories and bronzes, the fresh old tapestries and deep old damasks threw out a radiance in which the poor woman saw in solution all her old loves and patiences, all her old tricks and triumphs. "And you've promised to try: I see. You didn't tell me that, either," Mrs. Gereth added as they went on. "But you're rascal enough for anything!" While Fleda was occupied in thinking in what terms she could explain why she had indeed been rascal enough for the reticence thus denounced, her companion broke out with an inquiry somewhat irrelevant and even in form somewhat profane. "Why the devil, at any rate, doesn't it come off?" Mrs. Gereth gave her a long last look, then turned abruptly away. "It's an awful bore you didn't really get it out of him! Well, come to tea," she added rather dryly, passing straight into the house.